Monday, September 23, 2019

Step by Step #2 - Writing and drawing a cartoon series

Another step-by-step process blog post...I had some fun doing the first one, so I thought I'd try another. 

This one is an ongoing gig for Ralph Lauren Polo Inc., that started a few months ago. 

RL's Director of advertising and social media contacted me three months ago, wanting to discuss doing a series of humorous illustrations, focusing on their Polo-inspired restaurants. (I was aware of the restaurant in NYC, but learned there are also "Polo" establishments in Paris, London and Chicago.)



"The Polo Bar" in New York



I was told that the Polo restaurant in New York is frequented by celebrities, and the main goal was to highlight that fact with humor...i.e., depicting some of these well known humans, and to create funny writing and art that fit their character.


Robert De Niro and Al Pacino, dining in the Polo Bar earlier this week.
(They were in NYC promoting the Martin Scorcese film, "The Irishman".)



(Photos from an article provided to me by RL for background; covering the Duchess of Sussex/former 'Suits' actress, dining there earlier this year -.)

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An added challenge arose: RL Inc. felt that I should write and draw concepts only for deceased celebrities. (I get it...and deal with this dynamic often with political and social commentary cartoons. The living are much easier to offend.) However, that is a significant restriction, especially when trying to choose subjects that will get resonate with today's audiences...more on that later in the post

Another caveat: Ralph Lauren's upper management wanted me to write humor in my own voice, but wondered if I could draw the line work of the celebrity caricatures in the style of the late, great caricaturist, Al Hirschfeld. He is widely considered to be the greatest caricaturist of all time, and his flowing lines were mesmerizing. During his heyday, he was fixture in NYC and was known for drawing celebrities.

There are challenges in trying to emulate someone else's work, especially that of a legend. For one thing, it is difficult to nail such a well-practiced and distinctive style. Then there's the issue of drawing in another person's style while getting good likenesses of the aforementioned famous humans. Every caricaturist's method of finding the "right" likeness is different, and I had to combine mine with his. (Of course such a challenge can be fun.)

Here's the process outline for the first cartoon, which was a test, or proof of concept for RL - to see if we could make this "work":
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Step 1: I wrote out around ten concepts on a notepad. These were all done with some seed of humor present, but the specifics were very rough. 

Step 2: Editing ideas and sharpening humor. Afterward, I selected what I thought had the potential to be the funniest four concepts, fleshed them out a bit, and emailed them to RL corporate folks in New York.

Surprisingly, they liked all four ideas, (that does not usually happen), and they approved starting the artwork on two immediately.

Step 3: I started with a sketched concept featuring Elvis and Marilyn Monroe...

Step 5: The sketch was passed around their management and with a positive response, I went forward with finished artwork in "ink" on my Wacom Cintiq.




Step 6: I added or "spotted" areas of black ink for contrast and to lead the viewers' eyes to Marilyn. The text was simplified and shading was rendered.

The cartoons are appearing in RL's various social media, for example, their  Instagram.




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On this second cartoon, an abbreviated glimpse of the process. I went with a Polo theme concept and a young Paul Newman, Clark Gable and Marlon Brando. 



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...But later I decided that it might be fun to have some continuity between cartoons, so I switched Clark Gable for the King. He finally gets a table - as he should.






I made other changes: Redrawing the woman in the left foreground, (giving her less contrast, so as to not draw the reader's eye away from the action. The folks at RL also asked me make her a bit more attractive. I added contrast to the area behind the men. Lastly, I added the RL Polo Bar logo to a window on the right.

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We have done three so far, with two of them released. Those have received a positive response in their various ads and social media platforms, and RL's management wants to go forward with more. I have enjoyed it so far, (after pleasing the client, the main goal for me) and we'll see how it goes over the next several months. 

One thing is nearly certain...I think that I will soon run out of deceased celebrities who are recognizable to today's audiences, and that I will need to talk the RL folks into subtly and tastefully depicting some more people with a pulse.

5 comments:

  1. Nice descriptions of your process and decision making. I'm curious, for projects like these, how do these people and companies find you?

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  2. Hey Ryan - Thanks, and that's a good question. Roughly half of my work is comprised of repeat customers, the other half is new. Depending on the month, each of those groups range from 40% to 60%. New clients come from various sources: referrals, my website and also an agent. About three years ago I decided to hire a creative agency that had been soliciting me. I figured I had nothing to lose and trying It. The arrangement is that I pay them an annual fee and they also take a small percentage of each project, it I is proving to be worthwhile, and a good source of interesting projects.

    As for the work discussed in these recent blog posts, the exec at Ralph Lauren contacted me directly, The project with Capgemini Inc. came through the agency. The rest were repeat clients.

    Hope that helps. By the way, the wording you used makes me think that you might be a cartoonist or illustrator yourself...is that the case?

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  3. Ha ha ha. You guessed correctly. I'm a cartoonist and recently graduated from art school, Savanna College of Art & Design. I'm working a job and also trying to build up some clientele, but it's slow going. Reading this has inspired me.

    How did you get started? I don't mean to ask you to write a long answer, but any advice you can give me is very much appreciated.

    ReplyDelete
  4. Congratulations on your degree from "SCAD". That's a a great school.

    Send me your contact info, (either the contact form here, or you can connect with through my website) I'd be happy to call and chat with you.



    Mark

    ReplyDelete
  5. Mark, Thanks for the call. I don't normally feel comfortable asking for help, or even talking on the phone! But your advice was very helpful and appreciated. Thanks again for sharing your insights. - Ryan

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Let me know if I can answer a question.