Abby Brooks: Sleeping with sunglassses

On the Digital Drawing Board

Happy Memorial Day! 

The annual Bolder Boulder 10K race just wrapped up, (after a two-year pandemic hiatus) attracting over 40,000 runners from around the globe. It was great to see the race resume and so many people enjoying the spectacle. We just watched the jets fly over the finish line at the University of Colorado's Folsom Stadium.

This is just a quick drop-in to share a few things that have been on the drawing board... 

 First, a caricature illustration of the current POTUS, for a book being published by Wiley and Sons later this summer.

 

 

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As always, I cover both sides of the aisle

 

Next, a cartoon of the previous POTUS, that I created a couple of years ago, which was

recently licensed by McGraw Hill Publishing, for a college political science textbook. 

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 I'm currently creating a series of twelve large comic art pieces. They are caricature-based comic book style illustrations, created for the executives of Silicon Valley tech companies. I was commissioned by a design agency in San Francisco to draw these for their client, prominent Internet security firm, Zscaler. They  will be printed at 14" X 5", then matted. framed and presented to each executive.

 

Here are the first two:

(Click to enlarge)

 

 

 

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A commissioned gift illustration created for a retiring English teacher at a high school in North Carolina. A group of his fellow teachers and friends hired me to draw this - and to show he's a poker-playing Elvis fan who reads Faulkner.
 

This was created at 11" X 18", sent digitally to the client, who then had it printed at local printer on special paper stock, (I always include instructions for that), then matted, and framed. It was presented to the gentleman at his retirement party.)

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A large caricature illustration for doctor and his a group of friends, commemorating a vacation they are taking together in June. (It will appear on framed prints, as well as t-shirts. The doctor who commissioned this requested that I draw large heads, ala carnival caricatures, but with greater detail.

 

 

  (And in case you were wondering, I was asked to draw the mostly nude woman above just like she is in the photo provided - mostly nude, with small tattoos. You've got to love folks with no inhibitions.)

 

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I'm currently illustrating several books. Two are children's books; one for an author on London, and another for an author in Phoenix.

 There are two fascinating "non-children's books" on the board. The first is for a former executive of Dreamworks Inc., who has a unique philosophy for transforming organizations. He also has quite a following with his Ted Talks and at SXSW in Austin. I'm enjoying chatting with him and brainstorming on humor to introduce his concepts.

Another interesting project of note...a series of political cartoons commissioned to expose the actions of the Southern Baptist Convention. This has been a national news story over the past year, and was covered in the Washington Post last week. The 8 cartoons I am creating will accompany the writing of a prominent news columnist. Here's the first cartoon, just finished today:

Happy Memorial Day! May your summer months begin with zeal!

Happy New Year

It's nearing the end of the Holiday Season, and I don't know about you, but it seems like I've had little extra time - for a while. So, I have been absent here. But now that we have an entirely New Year to play with, our slates are clean! (Kidding.) New commitments and adventures await, for all of us. 

For the first time in years we did not send out a custom family Christmas card. I was swamped with client projects, my wife and daughter equally busy with work and school...and just as we were catching our breath, unfortunately, our family dog passed away. I drew a card, but didn't have the heart, or the time to print it and mail it.

Without further pontificating, I'll share a few recent things.

First, some photos from a family Christmas trip to visit my Mom in Illinois..

 

 

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First, from the drawing board last month are two New Yorker cartoons.

This idea germinated after speaking with a client who is a Federal judge regarding the evolution of the legal system during the pandemic. (Find this cartoon here: https://bit.ly/3nnrtdP )

 

Available at CartoonStock, London

 

 

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The next project goes back to November. Most of my clients are out of state, and this was a rare local gig - a fun one at that. I was commissioned to write and draw five political cartoons to fight a well-funded initiative pushed by a group of real estate investment firms located outside Colorado.

Here are two of the five pieces...all were published in the Boulder Camera newspaper, and a in series of website pages, posters, mail pieces, etc.

From the Denver Post: "The proposed ordinance is so poorly written that it would unintentionally rezone all residential neighborhoods in Boulder. It destroys occupancy limits. It doesn't include a provision to ensure affordability, and it failed to include a clause to prevent rental housing investors from subdividing rooms or scraping houses and replacing them with de facto dorms. It happened in Austin and could happen here."

 

After starting off well behind in the polling, the opposition group who hired me pulled off an upset in the election, and defeated the well-funded real estate consortium, (They filed an appeal with the Colorado Supreme Court, and failed there as well.) Afterwards, I got a chance to talk with some city council members about their relief, and received some nice feedback from the Boulder mayor. It reminded me that the most rewarding and enjoyable work can sometimes be in your own back yard.

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This was created for a retiring CEO at Heidrick and Struggles, the world's leading executive search and placement firm. I worked with some folks in their their Houston office in writing ad drawing scenes for the gentleman depicted .he final art was printed on 18" X 24" 55 lb stock, then matted and framed. It was presented to him at his retirement party.

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I just wrapped up a similar project for an executive at Golin Public Relations. Golin is a Fortune 500 company with 50 offices around the globe, (and I was admittedly unfamiliar with them.) Their HQ is in Chicago, where they occupy the 26th floor of the John Hancock Tower, one of my favorite buildings in the world.

The illustrations are a gift, commissioned to honor a career milestone for Fred Cook, the Chair Emeritus of Golin. I discussed the five scenes with two of Golin's management, via Microsoft Teams. Then I created sketches, and after approval, finished pen and ink drawings with watercolor washes. Everything was matted and framed in a horizontal layout of five scenes.

 

The Hancock building was one of my favorite places to go as a kid while living 

near the windy city, (so I was pleased to get a chance to draw it for this project...

 

 

 

 

 

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Next is a new project for long-time client, Google. I was asked to create a series of marketing cartoons comparing Google's cloud services to those of Amazon AWS and Microsoft AZURE. The format, dialogue and vantage point (presentations to a typical Chief Technology Officer) were the ideas of one of their marketing managers.  Below is a first draft sketch "proof". I'll be creating roughly a dozen follow up cartoons in color, based on this comparison, beginning in January.

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I'm a car enthusiast and also a racing fan (Indy and CART series, not Nascar). The past two months worked out well, as I got a chance to draw several cars. 

The first was for a 12-time winning CART series racing team. The owner of the team approached me about possibilities for a cartoon illustration the for his team's advertising, apparel and posters. The look he wanted was to be reminiscent of the old CAR-Toons hot rod magazines of the 70's and 80's. (I was familiar with them, having leafed through a few at the local drug store when I was a teen.)

 

This is a Sprint Racing series car, and to the casual observer, it looks odd with the plethora of wings & spoilers. Racing these is a blast, and many of the biggest names in Indy and Nacar (like Kyle Larson) also race these cars - simply because they are so much fun. 800 horsepower, light weight...magic.

 

 

Initial Sketch:

Next step, adding color. The owner asked me to create two versions, one with his driver, and one with an anthropomorphic driver- a rat - (as was the style in the "Car Toons" magazine.)

 

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Lastly, an illustrated logo for a humorous podcast hosted by a gentleman in Connecticut. His sensibilities and humor were a cross between Larry David and Jerry Seinfeld. Working with him was a great deal of fun. I can't wait to listen to his podcast.

 

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Next, an 18 x 24 illustration for a Boston judge, featuring him driving his (rather pedestrian Subaru Cross trek) on a race track in North Carolina. (This was personal commission given to him by an attorney with whom I work each month on the Boston Police Department magazine.)

 

 

 

Bedeep, bedeep, that's all, folks. Happy 2022!

 

Update 1/8 - Adding a couple of pics. - We received a foot of snow in the nearby mountains, so my daughter Julia and I went skiing Friday. The sunshine and plentiful soft powder made for a beautiful day. We took her to the airport Sunday, so she could she return to college. it's very quiet around here.

 

 

Books, bikes and back to college

Happy Labor Day! A day off for me, (hopefully for you as well) and a chance to catch up a bit here. It's hard to believe summer is nearly over.

This past month brought some fun writing and illustrating projects, and I'll share one that was a unique biography. The subject is a prominent businessman, investor (and as I found out while illustrating the book, also a friend of Warren Buffet). The project was commissioned by the authors, via my agent.

To begin, the editor and authors provided me with a manuscript, photos of the gentleman, and written material regarding his investment strategies.

 

 The biography's subject, depicted with his friend Warren Buffet.

 

 

I wrote concepts for the interior illustrations based upon investment strategies in the book and submitted them to the author prior to drawing anything. After approval, I created illustration and cartoons.

 

 

The book cover (below) was purely illustration. I constructed the scene at the subject's lake house from photos of the interior but they did not have a photo of him seated in the scene, (or his requisite three devices and stacks of "read" and "unread" Wall Street Journals, and Vernor's Ginger Ale) so I had to work from imagination.   

 

The book is being published in October.

 

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A advertising illustration piece created last month.

 

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This is a political cartoon for a media outlet and magazine in Atlanta. I was asked to create two versions of this cartoon, one featuring Nancy Pelosi and Joe Biden another featuring Nancy with Andrew Cuomo.  The latter was published due to the timing of Cuomo resigning from office after his scandal. I was given the concept to draw by the publication editor, and I wasn't sure how many people would remember Jim And Tammy Faye Baker simply from their likenesses...but it is an interesting analogy.

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A blast from the past. I was recently contacted by the folks at Ted Talks, requesting permission to use an image for their marketing. (This is a scene from a Ted Talk being presented by bestselling author Daniel Pink, featuring an illustration I created for one of his books, below).

 

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We took a family trip two weeks ago, a last hurrah to summer, involving mountain bikes & horses.  We biked along the Vail pass, 15 miles past Copper Mountain into Frisco, then on to Breckenridge. Incredible views and wildlife, including a bald eagle and bear.

                                                 A vibrantly colored lake near Copper Mountain

                                                                 Bald Eagle's Nest

 

   Morning walk in Keystone                             Bike ride from Vail to Copper Mtn.

The Vail Pass bike path

                                                   Finishing a mountain bike ride in Breckenridge at dusk


Then, three days later, I flew to Nashville with my daughter, taking her back to college and helping her move in. (My wife stayed home with our elderly dog who needs extra care right now.) I flew to Nashville a few months ago and moved most of her dorm items into a storage facility downtown. So, the reverse this time.

                                              After moving my daughter into her dorm.

Lots of exercise, we got her dorm suite set up. Afterward, we cleaned up, and I took Julia and her roommates to dinner....and weenjoyed some terrific Nashville music. Sunday, big hugs and goodbyes before flying back to Denver. 

We all miss her greatly, the dog included. 

It's back to the studio for me, where some book illustrations jobs, a project for Google, and a few political commissions await. Until next time, stay well and enjoy the autumn.

On the digital drawing board: What is the proper mix of work and play?

I was recently talking with a college friend, and amidst the usual discussion of family and life's pursuits, we pondered the proper ratio of work and time off. We came up with some algebraic formulas with a little calculus thrown in. 

 

Truthfully, math was my worst subject in school, so there was nothing of the sort. And we both admitted to being at the mercy of outside forces.

 

Our numbers were fuzzy and inexact, but I felt that the Pareto principle ("The 80/20 rule" often used in business) was close. 1/5 of our time spent in absolute joy allows work to flow the other 4/5. 

 

Well, actually, 100% play, 0% work is a really favorable ratio, but few people can pull that off, except for perhaps trust-funders and ex-Hollywood actresses who marry into the British royal family. 

 

Even 80/20 is tough for me, with a daughter at a private college. Weekends off usually have to suffice, but a vacation is always nice. 

 

I have not posted here since February, and that's mainly because I've been swamped. (I know I'm fortunate; many friends, colleagues in my field, and family members, including my wife have had major downturns in business/work since Covid descended.) So, a long gap of no posts. But in keeping with the work/play theme, I'll mention a couple of highlights since last popping in here. 

 

My family and I took a few trips, including one late season ski jaunt, taking advantage of a big snow storm. It was a multi-resort, week-long respite after 4 weeks of intense work. (See, there's that ratio.)

 

I also took a solo trip to Nashville to move my daughter out of her dorm. Carrying belongings, furniture and what they now loosely call "dorm refrigerators" (85 pounds and three times the size of what I had in my dorm) down two flights of stairs, packing and shipping boxes, is not really a vacation. But it's still a break, and terrific exercise. She and I also couldn't pass up the chance to see some live music downtown. We saw some new singers, a good Pearl Jam cover band, and of course, some country, which I tolerate.

 

That was in April and early May. It has been nearly all "play time" writing and drawing. (I call it that so that it remains fun and that I never feel overworked.) Before I go, here are a few glimpses of recent work (or playtime?) from the drawing board:

 

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A A few weeks ago, large oil producer Colonial paid a hefty ransom to the hackers who infiltrated its system and forced the shutdown of a major oil pipeline supplying fuel to the East Coast. 

A long-time Silicon Valley California-based client is a cloud computing pioneer who offers solutions for the increasingly common ransom hacks of corporate websites. I worked in concert with the CEO and the Marketing Director on this one, starting with some sketches and gradually refining the scene to this.

 

 

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This was created for a Disney Channel writer who is transitioning into advertising copy writing. She's with an agency in Los Angeles, and wanted several humorous illustrations to use to pitch to clients. She wrote the concepts and came to me for the art...in this case, the client is Omaha Steaks, with a scene from the movie "Psycho". Fancy a steak grilled by Norman Bates?

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A cartoon for a woman in New York, commissioned as a gift for her husband's birthday. (The concept was an idea he had for a New Yorker cartoon.) It was matted at 8 X 10 and framed at 11X 14.)

 

 

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A character and series of humorous illustrations created for Merck Pharmaceutical & Johnson & Johnson. This was for their corporate website and an interactive area for customers with questions about Covid vaccines and prescriptions.

 

 

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  After a long week of deadlines, I can relate to the guy on the right in the above cartoon.

 

 

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A New Yorker cartoon - about that never-ending fad of "ink".

 

 

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 One of a series of cartoons for a physical therapy business in New Jersey. 

(Referred to me by another long-term client.)

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A book cover illustration from a recently published biography of a American physician who became a mayor and then an elected regional leader in the Congo. The stories cover 60 years, and they are fascinating. (In addition to the cover, I was commissioned to create 18 Pen and ink illustrations.)

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Peter Linquiti is a distinguished professor at George Washington University, and he recently authored a college textbook on philosophy and practical self improvement. As he mentioned to me over the phone, it applies throughout one's life; in school as well as into the work force. He hired me to create a series of humorous B&W illustrations for the book, and later the publisher approved several of them to be prepared in color. One is pictured above.

 

 

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This was a personal commission for a gentleman in New York City who initially called me to discuss creating a large 18 X 24 high detail cartoon illustration print to give to each of several friends. He wanted a group scene set in a famous casino room, depicting he and his friends seated at a high stakes poker table. 

 

 

I worked from individual photos of everyone, and since they were typical phone snapshots taken with varied lighting, and expression, the trick was giving everyone the same same light source (highlights and shadows), with a similar range of emotion/smiles. etc. I also made the decision to draw everyone in tuxedos to fit the tone and to make it cohesive. After approval of the B&W draft, I added watercolor. After he approved the color art, I  gave the client a high resolution digital file which he easily uploaded to an online specialty printer, to have the canvases printed and framed.

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Lastly, a Happy Father's Day to the dads...and with that, a cartoon to remind us of the importance and joy of spending time with our kids, (both planned and unplanned.)